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Monika Leisch-Kiesl
Monika Leisch-Kiesl
  • Išparduota
How do images gain relevance? On the basis of the large-format drawings by artist Toba Khedoori, Monika Leisch-Kiesl’s study situates itself between semiotic and phenomenological theorems. The author investigates the specific qualities of drawing in an examination of the 1990s and 2000s and asks: How does an image become a sign? This permits, or even evokes a contextualization with various social and cultural correlations. The second question: How does a sign become an image? implies a specific…
  • Leidėjas:
  • Metai: 2021
  • Puslapiai: 348
  • ISBN-10: 3903796441
  • ISBN-13: 9783903796447
  • Formatas: 21.5 x 26.3 x 3.5 cm, minkšti viršeliai
  • Kalba: Anglų

Monika Leisch-Kiesl (el. knyga) (skaityta knyga) | knygos.lt

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How do images gain relevance? On the basis of the large-format drawings by artist Toba Khedoori, Monika Leisch-Kiesl’s study situates itself between semiotic and phenomenological theorems. The author investigates the specific qualities of drawing in an examination of the 1990s and 2000s and asks: How does an image become a sign? This permits, or even evokes a contextualization with various social and cultural correlations. The second question: How does a sign become an image? implies a specific form of attention. Jacques Derrida’s concept of brisure – “hinge,” as he introduced it in De la grammatologie – leads to a conversation between the images of Khedoori and the texts of Derrida and opens up an area of reflection “in the blank space of the inter-text” / “dans le blanc de l’entre-texte.”

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  • Autorius: Monika Leisch-Kiesl
  • Leidėjas:
  • Metai: 2021
  • Puslapiai: 348
  • ISBN-10: 3903796441
  • ISBN-13: 9783903796447
  • Formatas: 21.5 x 26.3 x 3.5 cm, minkšti viršeliai
  • Kalba: Anglų

How do images gain relevance? On the basis of the large-format drawings by artist Toba Khedoori, Monika Leisch-Kiesl’s study situates itself between semiotic and phenomenological theorems. The author investigates the specific qualities of drawing in an examination of the 1990s and 2000s and asks: How does an image become a sign? This permits, or even evokes a contextualization with various social and cultural correlations. The second question: How does a sign become an image? implies a specific form of attention. Jacques Derrida’s concept of brisure – “hinge,” as he introduced it in De la grammatologie – leads to a conversation between the images of Khedoori and the texts of Derrida and opens up an area of reflection “in the blank space of the inter-text” / “dans le blanc de l’entre-texte.”

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